This November 1963 issue of Playboy features Sharon Rogers on the cover photographed by Don Bronstein. The book also featured the girls of Canada an essay by Aldus Huxley and an interview with Jimmy Hoffa.
Sunday, 6 December 2009
This November 1963 issue of Playboy features Sharon Rogers on the cover photographed by Don Bronstein. The book also featured the girls of Canada an essay by Aldus Huxley and an interview with Jimmy Hoffa.
French architect Jean Nouvel has won just about every prestigious award for design and architecture possible. Below is the awarding winning redesign of Port of Vigo, a small town in the west of Spain.
Saturday, 5 December 2009
Friday, 4 December 2009
Monday, 30 November 2009
Over a decade after Heltah Skeltah dropped the classic 'Nocturnal' in 96, the rap game has since changed, dramatically. Paying dues and getting props are now a thing of the past, and have been replaced with distracting bling and flashy videos. The fans have gotten older, and the younger fans have a much shorter attention span with instant access to media, social networks and blogs making it harder for artists to stay visible. One thing older emcees have as an advantage is the the fan base. Having put in 15 plus years in the game, countless tours around the world, a long catalog of music, Sean P has an international fan base. A base of hardcore rap fans old and young who know they can trust Sean, and the rest of the BCC, to preserve and consistently drop hard Brooklyn boom bap rap. I had a chance to catch up with Sean at the studio just before his latest album, Kimbo Price dropped.
Josh D: What the latest and greatest with Sean P?
Fuck Interviews. Ha ha ha! Not yours of course! You know, heads taking your words and twisting them around. ( In reference to an article where Sean P is misquoted in regards to his future at Duckdown Records --- Which of course is solid).
But on the music tip, ah, man! I just dropped that Figure Four shit. Have you heard it?
JD: Naw, not yet.
YO DAN, MAN! Play figure four! So I have Figure Four, I just dropped that causing a lot of controversy based on some shit I said. I have Kimbo Price dropping October 27th. I'm going to Detroit in November to finish up the 'Random Act's' album. That's me, my man Guilty Simpson and Black Milk. I got that group, then I have my album M-I-C Tyson dropping soon. Word, the album is dope, I got production by The Alchemist, Evidence, Sid Romes, my man Seez Words, and of course, 9th wonder and Kyrsis.
JD: How will Mic Tyson be different from your last two albums?
It's going to be the hardest album. I'm the hardest dude out. No Bruno, no Brokeback. Hahah. I'm going to prove it with this album.
JD: Tell me something funny that happened on tour.
Ah man, it was a while back. I think it was the first 'For The People' tour. There was some dudes in a room with some girls. They were all passed out and shit. Me and Rock sneaked in to look for some papers, you know to roll up some trees. We got the papers, and for some reason I picked up on the dudes boots, and threw it at him, for no reason.. We jetted out in the hall, trying to find a place to hide and shit, ha ha. It was funny, but I guess you would have had to be there.
JD: How do you feel about the economy and the state of America? How does that influence your raps or not?
Well, humm, Ive been in a recession all my life, so it's not going to fuck up my music, know what I'm saying?! We talking about the world right? Well in my world I have always had money problems. But I've been able to maintain, it is what it is. As long as my kids eat, and my family is taken care of, everything else is extra after that. That's how I feel about it.
JD: How do you feel about all the negative news these days?
I try not to watch the news. I don't believe in Presidents. Black guy, white guy, brown or green, I don't care.
JD: Hip Hop has changed a lot since 'Nocturnal' dropped in 96. What do you think is next for Hip-Hop? And what will the cutlure need to do to stay relevant?
Well, the way its going now, its going to be Bruno rap. I don't want nothing to o with it. As long as I'm here you are always going to have that hard core rap to fall back on, know what I mean?
JD: What is on your iPod these days, what's in your rotation?
I don't have an iPod right now, my man Ari Green, lost it. So I have a PSP. Let's see. I have Ghostface Killers new album. The Blueprint Vol. 1. More than a Dream soundtrack, haven't listen to that yet. I have the best of Sean Price, ha. DJ Foodstamp, some Jadakiss, Prodigy..Humm some Rick Ross songs. Got Kamal the Abstract- that's a good album. Bilal, I'm a big fan of, --- and of course! Mary J Blige. I listen to hardcore rap, and May J. Oh, And I got that new Cuban Linx 2, for sure.
JD: Any survival advice for the youth today?
See what I do? Never do that. Whatever I do, do the exact opposite, except when it come's to this rap shit.
Sunday, 29 November 2009
Once known around the world for it's steel business and lucrative mining operations, Pittsburgh PA aka The Steel Town has changed a lot. These days it's better known for it's long history of amazing sports teams, hall of fame athletes and most recently the G-20 Summit. Pittsburgh is not a name that comes to mind for any music, or major artist of any genre, including Hip-Hop. But that is changing too. This year the worlds leaders met at the G20 Summit in downtown Pittsburgh bringing with them a lot of attention and news coverage. In attendance amid the madness and anarchy, with lots to say, armed with a video camera and a rhyme book was local emcee/activist Jasiri X.
While in town, I had a chance to catch up with Jasiri on the 16th street bridge.
JD: Tell me about your blog, the Real Talk Xpress, and how that came to be.
The Real Talk Xpress came about from me writing about things that I was passionate about. It started with me writing blogs, and sending them out via email. At the time the Presidential campaign was going on, so I took John Mcains, Straight Talk Express, and flipped it to The Real Talk Xpress - with an X. Then it went to another level, when I did a blog about Hancock, who I called, "The First Nigga Super Hero". That blog went viral all over the internet, and it blew up crazy. It made me see that, maybe I had the ability to write in a certain way that people would react to. So when it came time to do the blog, we called it Real Talk Xpress, and it's where I write about different things, politics, rap, and news, also where you can watch my series on You Tube, This Week with Jasiri X.
JD: On This week With Jasiri X you get right into the subject with no filler of filter. How much does the 24 hour news cycle and the internet play apart?
Where do you get your news from and how do you filter it?
The 24 news cycle and the internet cycle definitely play apart in how we digest, and how we view media daily. Because it's constant. The news plays apart to me, when I see all these minor stories, or the Tiger Woods scandal, that could be a massive story. Because you have all these outlets broadcasting or publishing new, then there becomes an necessity to fill up all these hours with programming. Also different channels put a spin on the story. Fox is going to spin it one way MSNBC is going to spin it another way. So I thought that This Week with Jasiri X would be for people, who don't have the opportunity to, or just don't like the news, or not up on what going on in the world. And they have the opportunity to watch a three minute video and get caught up on some of the relevant news in the cycle. Of course I put my own personal spin on it.
I get my news from everywhere. I wake up in the morning and hit the internet, or a local Pittsburgh newspaper. Whether its Huffpost, Drudge Report, CNN, or Yahoo news, I try to get it from as many places as possible because I Know that there is always going to be a spin on it. I love to listen to Rush Limbaugh, and Sean Hannity, because they way that they are able to spin things and make it how they want you to see it. I find it humorous, and at the same time genius. If you listen to them all in a row for long enough, they all jump on the same topic, at the end of the three hours, you begin seeing President Obama and his crazy ways. There is definitely a science to what they do.
JD: What do you do to separate news writing from song writing?
When it come to news writing vs. song writing, the news it what I use as a theme.
This season of This Week with Jasiri X is more focused on song writing. Whereas the past two season I would just write a rhyme based on current events. But with this season we wanted to create full songs, songs with hooks. Good songs, that dealt with some of the major themes of what was happening in the news that week. What I began to do was use the news as a theme, but then really focus on making a good song. Because at the end of the day if it's not a good song, its not going to have the impact. The cool thing is that what we are seeing with this season is, songs don't just have a week self life. You can go back after a week and listen to 'Dear Deborah', 'Silent Night' or 'Why Rapper's Don't Watch the News' and it has a longer life than just that week.
JD: How has the local response been, and what is the scene in Pittsburgh like?
The local Pittsburgh response has been kind of interesting. Because of the kind of artist that I am, a little different that an artist looking for main stream success, when people see me on the Allhiphop or other sites they don't know how to react. They say, 'wow, that's cool', but at the same time, it's not like I'm making these song like, every hood and everybody in Pittsburgh stand up. I'm doing something different and people don't know how to take it. But I get my props. The scene in Pittsburgh, we have so many talent artist and producers, the list is long. But what we are missing is good managers, agents or a radio station at plays local Hip Hop. So what myself and a couple of other artist are doing is trying to create a unified group where we can pool our resources and talent to begin to develop the scene, and make it what it could be - a viable scene. Like the artists did in Minneapolis/Minnesota (Rhymesayers).
JD: What's next for you and what can we look out for? Will there be a season 4 for This Week? if so will there be any-changes?
Whats next for me is my album, "America History X'. It comes out December 15th. I hope everyone can grab that. It's kinda my first album. And what we are saying is, if you want to see "real Hip Hop", if you want to see a change in Hip Hop, or rap with a message, then we have to support artist who do that type of thing, like myself. When we take the risk and put out material like that, it shows support from every one who gets a copy and listens to it.
After the album comes out, I'm going to hit the road. I'm heading to Rhode Island Detroit, San Fransisco, then San Antonio. If you like the videos, I hope people can come out to see the live show. I'm excited about being able to connect with fans live.
There will be a season 4. And what I want to do is incorporate the artist that I am working with, and do more on the scene, location type of thing. Actually go to the where the news is happening. I'm also working on a mix tape called 'The City of Steel'. To give people a better idea of what Pittsburgh is like. When people hear of Pittsburgh they think of the Steeler's. But they don't have an idea of the poverty that exist in Pittsburgh and the inequalities that's going on here. So we are going to bring that to the table with the 'City of Steel'.
Be on the look out for American History X.. anyone out there who's feeling what I'm saying reach out to me and lets do big things in 2010.
Monday, 23 November 2009
Wednesday, 11 November 2009
The Fresh Air Tour breezed through the Big Apple this weekend to a packed Filmore. Bringing to the stage DJ BK-One, Toki Wright, Dilated Peoples emcee, new Rhymesayer Evidence and headlining the show Brother Ali.
Consistent with other Rhymesayers events, the show started on time with BK-One on the ones' and twos' while Toki Wright hit the stage to showcase tracks from his debut album "A Different Mirror". With a very positive response from the often critical NYC crowd, Toki stayed on stage to introduce and back up the vocals of the very animated Evidence. Dilated Peoples are known for hype live shows and high energy songs, which Mr. Slow Flow had no problem maintaining while solo. Hitting the stage with back to back up tempo tracks, Ev slowed things down to to exhibit his breath control and diverse flow over tracks from "The Weatherman" and "The Layover".
Being no stranger to big crowds and stages, Brother Ali causally took the stage to his name being chanted by the audience who was still hype from Ev's set. With BK-One backing him up, Ali picked up the mic, found his place on stage, getting right into his set. As the beat to "Victory(Come Forward)" began to build, it was enough to set the crowd into high gear before steering the show down a catalog of solid anthems, that was no problem for the crowd to identify with a sing along.
I had a chance to catch-up with Ali after the show for a few questions;
JD: Your new album is called 'Us', and the tour is called Fresh Air. It seems very positive and communal. Whats it all about?
The name of the album 'Us' is trying to connect and relate as humans' first, what makes up our human identity. First and foremost before anything else. I try to do that by telling stories of different people from different walks of life, in their human way. Talk about their emotions, feelings mood and their human reaction to life's challenges, from highs to the lows and being together. So that's the movement, the push we are on right now for the third album.
The Fresh Air Tour is about newness, fresh air represents new life. New album, obvious thing. Evidence is a new signer to Rhymesayers. We are all very excited about that. Toki put out his first album. Bk has a new album. So it's new thoughts, new creativity, new ideas. It's almost a new approach to touring as well. We put it together as a group. The whole presentation is new, where there is no down time, no breaks, short breaks between sets. Everyone does their set and it ends with all of us on stage bringing it together. I don't know if I've I've seen a show like that.
JD: I have noticed that lately shows have been starting on time and running smoother that rap shows are know for.
I think that there are very few people in Hip-Hop that have toured the way Atmosphere toured. Atmosphere taught me how to tour. And that is a more rock approach, not doing the traditional Hip-Hop shit. You know, show up late, no sound check, cut as many corners as possible, party on the road everyday. That's the old Hip-Hop way of doing things. Atmosphere did something similar to what Run DMC did. Present the music as art, but still being Hip-Hop, with a more rock like business model. So, since 2000 Atmosphere has been touring and going on these long tours. It takes a good solid tour manager, solid business people, good solid crew. Reinvesting the money your are guaranteed from the show, back into the show. Making sure it runs well, being very professional. That is something I learned from Atmosphere early on. People used to rely on getting money from an advance on their album, but that money has dried up. And now they are trying to play catch up on the road. Well we have been laying the groundwork for years now.
JD: I couldn't help notice at the show how many fans were mouthing the words to so many songs. What does it take to make song that connect with a wide variety of people?
Really writing in a very human, versatile way. Our details are not the same, our life stories aren't the same, backgrounds are different. But the way that we feel, how pain is pain, vulnerability, and the truth are always very attractive to the listener to connect with. People always connect with the raw truth. It's true in business, music, art and personal relationships. The truth really connects with people. The truth is undeniable. So I try and write songs' that are my real true feelings. People make a connection with that. People believe in that, appreciate it and respond to it. and see their own truth, in being connect by truth.
JD: How do you go about making a new album? What goes into the process?
I start out with thinking about what I want to say. What I want the vibe to be. What I want the feel to be. I have this pool of experiences and stories that I want to tell. Me and Ant kind of talk about how we want it to sound, But a lot of it has to do with the vibe that me and Ant have when we are making the album. The music that he brings me, creates the mood that I end up writing to match the sound scape.
JD: I read that you had some have some issues over lyrics with sponsors over 'Uncle Sam Goddamn'. How will that change your writing process, or not?
It did not change it at all. It was more the video that the lyrics that was the issue. I think, I lost some opportunity's. Any time you do something that is directed at leadership, there is always reaction to it. It's when your doing things that don't get any reaction at all is when you are in trouble. Some corporations may have stepped away from me for 'Uncle Sam', but that video was huge for me. It got a great reaction from actual people. Corporations have to be careful, they cant do anything that may damage their brand image. I understand that, but that video did a lot of good for me, way more than it did bad.
JD: What's next for Brother Ali?
I'm going to be touring 'Us' for the next year. I've been doing it for the last three months. WE are going to do Europe, Austrailia,the States again, Canada.
I have two projects that I'm working on in my in between time, I have a few weeks in between tours so work. And i have a few ideas that I'm really working on, I don't want to just announce yet, because I haven't started working on them, but it something that I'm really excited about.
Tuesday, 10 November 2009
I had a chance to see the Still High Tour featuring Snoop Dog, Redman & Methodman and Devin the Dude that came through NY last week. It was a great show. Devin the Dude was straight chillin' on stage and kicked tracks from albums new and old. Red and Meth exploded on stage with crazy energy and jokes and kept the crowd extra live with tracks from the Blackout 1 & 2, solo classics and hilarious freestyles. Snoop batted clean up. After a 10 minute holy music driven build up, the Yankees clad Snoop blessed the stage and brought the Dogg Pound with him. The stage was lined with large brothers in suits, a three piece band and three female dancers who changed their outfits three times to match the sets. The concert started on time, had short breaks between artists' sets, was very high energy, and the sound man was doing his job very well. The venue was crowded, and from the back row it looked like the crowd was on fire from the smoke rising from the very high audience. It was my first time seeing each artist live, and I'm glad I did. They all know how to rock a show.
Check out the snaps
See more here.
Friday, 30 October 2009
These days it takes more than just lyrical skill to make a name for yourself in Hip-Hop. There are a million emcees with ill verses for days from every corner of the planet. Without some sort of gimmick, a wild west type life style, or a major label backing you, selling records and getting paid to rap can be difficult, to say the least. There are a few things that the foundation of Hip-Hop is built on; communicating with the audience, telling a story, and individuality. What never gets old in Hip-Hop is the truth, and for heads and casual listeners alike what makes an emcee stand out is his ability to be original and honest while giving you something thing fresh to listen to. When it comes to being honest and original, Rhymesayers Records has a few prime examples on their artist roster. Atmosphere, Brother Ali, and Blueprint to name a few, including emcee slash producer, P.O.S.
With a strong punk rock back-ground, playing many instruments with the band Building Better Bombs amongst others, also starting Doomtree Records, P.O.S is more than just an emcee.
‘Let it Rattle’ is the first song on P.O.S’s third studio album ‘Never Better’ released on his Minneapolis hometown label Rhymesayers Records. The beat is grimy, dark, urgent and driven, similar to the rest of the record, it is very much reflective of the times. The beat is dark and eerie, with a building drum line, and growing guitar, as Stefon Alexander, also known as P.O.S begins;
“There ain’t nobody to look pretty for fuck it/Let it rattle/Let the clatter kill’em/Let the cataclysm wash/Who really listens?/Precision with verse draws a crowd/I draw a line between an easy melody/ And Piece of mind/ I keep the gain tweaked/Freak the same to its own thing/Spit the plain pain/Econlines for the dime class/It’s a goddamn recession/ Show a little respect”.
JD: This is the recession special. I noticed that you have the word ‘optimist’ tattooed across your
knuckles. What are you doing in these gloomy days and times to stay optimistic?
I don’t do anything to stay optimistic. I try to stay pretty well informed on what’s going on, and I definitely do believe that the recession is as bad if not worse than people say it is. I also know how the media likes to grab onto something and run as hard as they can with it, to keep control of the vote to what ever it is you are talking about at the time. Being aware that things aren’t they way that they are presented to me, makes me empowered. And that makes it easier to be optimistic about pretty much everything.
JD: How is the Midwest Hip Hop scene different from the East and West Coast?
There isn’t a major label within a couple hundred miles. So it's very DYI. And it gives you the freedom to be independent, and not have to answer to a major label or corporation.
JD: What is you favorite and least favorite aspect of touring?
I love playing shows, it's my favorite thing to do. I love performing. Its one of the reasons I got into it in the first place. My least favorite part is missing my family, I love to be at home. It also hard to love a girl if you are always on the road.
JD: Are you doing anything different on this tour than on other tours past?
I’m playing guitar, making beats live on stage and doing an hour and half long set. Mostly solo, some members of Doomtree might come up.
JD: The album artwork is very interactive and creative. What went into making that happen and who was involved?
Pretty much just me and the artist Eric Carlson. He listened to the songs and drew pictures based what he thought the song where representing. Came back with his sketchbook and we just brainstormed, a lot of it has to do with stacking. We just wanted to make it this big composite stack-able mess.
JD: How was filming the ‘Drumroll’ video? Was anybody injured in the making?
P.O.S I got pretty licked up and bruised , and a couple bloody cuts, but nothing worse than an average day of skating. It took us from 6 am till past 8 that night, we did six videos in a week, for ‘Never Better,’ ‘Purexed,’ ‘Optimist,’ ‘Drumroll,’ ‘Goodbye,’ and ‘Let is Rattle’. I worked with one producer, different directors, different actors, crew and location everyday. I thought ‘Goodbye’ was cool, but wanted to package that with the digital deluxe version and I’m not sure what we’ll do with the others just yet.
JD: I read on Rhymesayers.com that ‘Never Better’ was written in a moving car. Were you driving at the time? And what kind of car was it?
Ha ha, naw. I wasn’t driving all the time. It was a 2001 Ford Econoline, and not necessarily the whole thing was written in a car. I tour a lot so the album is talking about that, and when I’m at home I have a kid so I cant blast music late at night. So I drive around in my van, blast music, and when ever I get inspired I pull over and write.
JD: ‘Never Better’ is a very diverse album. What went into making it? What were some of your influences'? And who did you work with on the project?
I worked with Lazerbeak from Doomtree, Anterada and Paper Tiger, they got a beat on there a piece. The biggest inspiration was to make a record that would sound astounding as shit for me and my fans, the idea of making pop jams didn’t even cross the head, it was just a matter of, what do I want to do, how do I want it to sound, I kind of wanted to make something that was kind of repellent, and hard to get into.
JD: Is there any new music we can look out for?
Building Better Bombs should have a record out by the end of the year, Doomtree is starting a record, and I'm just going to keep rapping my ass off all year round.
JD: What does P.O.S stand for these days?
Piece of Shit, Product of Stress, and Product of Society.
Tuesday, 27 October 2009
For those unfamiliar with the word "eh", a popular Canadian tag word, it is not always used in the form of a question. Usually eh is used as a statement, such as "The Senators suck, eh", this Canuck wasn't asking you, he was telling you. If He he wanted to ask a question he would say something more direct like "did you think that was good"?
Check out this new video "Quit While Your Ahead", from Classified featuring Maestro, Choclair and Moka Only. Really good track, eh.
Friday, 16 October 2009
Just before Anticon’s last show ever at the Knitting Factory in Tribeca (the venue recently relocated to Williamsburg), Buck 65 told me an interesting story about the first night of a tour he went on right before he signed his first big record deal, circa 2000. The story begins after his performance at The Wow Hall in Eugene, Oregon, and from there it involves thieves, strippers, cocaine, dubious royalty and undeniable heroics. The night was among the inspirations for his latest project, Dirtbike, Volumes 1, 2 and 3. Buck tells it best:
“It was a great show on a lot of fronts, big crowd, very enthusiastic. And to this day, I think it’s where everyone plays. [The Wow Hall] has amazing sound, one of the best of any place I’ve played. I always said if I recorded a live album, I would do it there. After the last song finishes, I step directly off the front of the stage, right by the people, and I’m hanging out, saying hello. It must have been two hours after the show. Finally the place cleared out. I turn around, and the stage had been cleared completely off. My immediate reaction was that everyone was so nice they packed up my equipment. So I find the sound guy and say, ‘Hey, thanks for packing up my gear. Where is it?’ And he says, ‘Oh, I didn’t do it, so and so did it.’ After ten minutes of asking around, I realize it’s been stolen. And this is the first night of the tour. I’m thinking to myself, do I have to cancel the tour? I’m broke. All my contacts are on the East Coast. I was in a helpless situation.”
“Finally I find the promoter, the guy who picked me up at the [bus] station. I tell him I’m angry, tired and pissed off, and I want to go somewhere to relax and where there is a phone. He points to a woman, an unusually tall --more than 6’ tall --woman. She had a warm, disarming smile. I trusted her immediately. We walk out to the parking lot, and she drives the smallest car on the market, the shittiest, cheapest car available. We open the door, and the car is packed with young girls. All clearly on cocaine, going squirrelly nuts. There is nowhere for me to sit. And I really wasn’t in the mood; I was kind of pissed off. We start driving, and I figure, logically, that they are going to take me to my hotel, and I can leave all this craziness behind. So in about ten minutes of driving, I realize the hotel should have been around the corner. The car pulls over in the middle of nowhere and stops. The girls jump out and walk through the woods to a cabin. This cabin was not fit for humans. The glass was broken out, and there were non-domestic animals in there. Then they say, ‘You’re going to sleep over there, the corner of the main room.’”
“I’m trying to get comfortable on the pile of soft things that they had piled up for me, when I feel something poking at my back. I pull it out from the blanket, but I don’t recognize what it is --some sort of plastic with light flashing inside of it. I look up, and the tall woman is standing over me and says, ‘Uh-oh, I guess the cat is out of the bag. Now you know what we all do for a living around here.’ Then I realized it was an over•the-top stripper shoe, 8” heel, the sluttiest shoe ever made. Right then, something snapped in these girls. The tall one says, ‘We said we would show you a good time. What do you say girls --Stripper Olympics?!’ They all take off their clothes and put big stripper shoes on. They are piggy-backing each other, doing insane naked shit wearing these shoes. I really wasn’t in the mood for many reasons, and these girls weren’t giving off very appealing vibes.”
“After going naked-stupid-crazy until 4 in the morning, not more than an hour later, one of the girls wakes up, walks into the main room naked, wraps herself in a blanket, sits down next to me and starts telling me her life story. And she has two major problems: One is she just broke up with her boyfriend, and the other is that she is a sex addict. She is going crazy ‘cause she wants to have sex really badly, but her boyfriend broke up with her because she cheated on him. And this guy is the town thug. A bad guy, in and out of jail, who now has vowed that he is going to kill her. Her phone keeps ringing, and ringing. She picked it up once and I could hear the guy screaming on the other end. So she keeps saying how bad she needs sex, and keeps hinting and hinting. All I’m thinking is, he knows where she is and how to get here, what’s stopping him for coming over and seeing me sitting next to her, half-naked?”
“At this point, the other girls have woken up and are right back at it, trying on clothes, taking them off, going crazy. Finally the girl who was sitting next to me all morning says to the tall woman --and I’ll never forget these words --‘Where is the machine?’ The tall woman says, ‘It’s in the other room.’ Right away the one sitting next to me runs off, and within minutes I hear a small motor running. Now I hear moaning and groaning, loud orgasm sounds. I never did see this machine with my own eyes, but it definitely wasn’t a standard vibrator. This thing was running on gasoline, whatever it was. The other girls are under the blankets, wildly masturbating. I can’t believe where I am and what is going on.”
“All of a sudden there is a loud pounding on the door. The girls look at each other like, ‘Oh, shit.’ Some guy is at the door going crazy, yelling and cursing. He says, ‘I know you have Buck 65 in there with you!’ All of a sudden the door comes crashing down. He walks in, covered in blood and looks at me, breathing heavily, and says, ‘I’ve been looking for you all night.’ He reaches into his inside pocket. At this point my heart is beating out of my chest. I think he’s going for a weapon or something, so I started reflecting on my life. I slowly watch him pull out the mini disc player that I use for my live sets, and he says, ‘The rest of your equipment is out in the car.’ Turns out this guy had been up all night, scouring the town looking for my gear and did God knows what to get it back. But he saved the day and the tour.”
Just another weird day in the life of one of hip-hop’s most prolific emcee-producers … Years later, Buck would hear from the sound engineer at The Wow Hall, who linked him to the MySpace pages of some of the girls he met that night in Eugene. The tall one, Buck reported, called herself “Queen of the Shitbags,” and her photos were “mind-blowing, exactly how I remembered.” Download the song Buck wrote to memorialize the night, “Queen of the Shitbags,” and the rest of the Dirtbike series, at buck65.com.
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